The
Pirates Web 2.0 (January 2008)
Which category
of digital content do you think causes the most damage to copyright
owners these days?:
television and video clips (like those on YouTube and Veoh). Viacom
alone has sued YouTube/Google for over $1 billion in damages.
music
and songwriters (like what used to happen with Napster and Grokster).
These lawsuits had to be settled by the U.S. Supreme Court and
hundreds of millions of dollars in damages were paid.
book
publishers (like the hundreds of thousands of books Google has
digitized without the copyright owners’ permission).
movie
producers (I’m sure you’ve read about the bootleg
copies of first run movies being sold for just a few dollars on
the streets of Beijing … and around Times Square in New
York City).
newspaper
writers, journalists, and editors (what determines the value of
a “snippet”, available almost anywhere through Google,
and the full article protected by copyright?)
poetry
and short story authors (just do a little research helping your
children with their homework and you’ll see what I mean)
Or is the answer “none of the above”. The answer might
surprise you ... read on.
From the research
we have done over the past ten years, we have found that the single
largest quantity of infringements involves none of the obvious categories
listed above. The answer is “Images” .. the only true
world’s common denominator. They need no translation. The
only difference is the "thousand words" each image represents
change in each culture the images are used in. But not the images,
themselves.
Think about
it, pirating images has more applicability to an ever increasing
global and digital economy than pirating any of those more obvious
categories listed above. And while the infringers might claim they
create demand for some copyrighted works by "indexing",
that’s certainly not the case with “images”. In
fact, our research could not a find a single incident where indexing
led to an actual licensed sale.
I should know.
I originally wrote a "white parer on this subject back in July
2000, but, unfortunately, it never saw the light of day. Many of
my predictions have come true ... unfortunately. Piracy is far more
flagrant and widespread than it was just 7-8 years ago. And it is
getting worse every single day. My small graphics arts development
company in Ashland, Virginia has been fighting Internet piracy extensively
over the past 15 years, since the Internet first became a commercial
reality in the early 90s. We are losing the battle ... big time.
But we don’t
intend to raise the white flags. In fact, our efforts have taken
on a new "life" and intensity recently. The decision made
by the federal judge and jury in Duluth, Minnesota in early October
2007 should send a new signal out to all Internet pirates. Enough
is enough. Stop teaching your children to steal. Stop stealing yourself
and making up excuses after you're caught. Stop using copyrighted
material unless you have a valid license or written agreement to
do so. Stop whining and crying. If you don't like the fair market
value of a copyrighted work, then don't use it. It's all that simple.
We represent
original designers, illustrators, conceptual artists, cartoonists,
and animators. And the computer based programmers, digitizers, and
colorizers who support their efforts. For every one original copyright-registered
illustration we can license, fifteen are stolen. That’s the
highest piracy rate in the world. Higher than movies, higher than
music, higher than videos. In fact, I don't think any of the studios
or the musicians can match those sad claims these days.
The entire
industry of original graphic arts content (electronic clip art illustrations,
design templates, PC-based animations, digital logos/symbols, and
cartoons) producers has been virtually wiped out. Unfortunately,
in a world full of piracy, there is very little economic incentive
for new image development these days. We know. We pioneered the
development of graphic arts content on the IBM PC platform way back
in the early 1980s and have the arrows in our back to prove it.
Only the Disneys, Warner Brothers, Professional sports leagues,
Marvel comics, and other large developers of digital illustrated
artwork … those who also can sell merchandise, or other licensing
rights, based on their proprietary imagery … have survived.
And Imageline
has survived for over 25 years, too, I’m happy to tell you.
Why? Because we have always stood up for our rights. Whether it
be in the marketplace or in the courts, we have fought hard against
pirates for the past 15 years and made some difference in our industry
we think. You be the judge. We don’t care how big or small
the infringers are. The damages are the same to us in all incidences.
We have been
involved in 51 copyright disputes during this time. We don't go
after end users, so that's a very small number compared to the 28,000
lawsuits filed by the recording industry since 2003. We have our
hands full going after those Internet and software publishers who
display and distribute our copyrighted works to others ... either
for free or for a profit. We have never lost a case. Most were settled
amicably. Seven of the 51 had to go to court, and we won them all,
as well. We have never once been accused of copyright infringement,
and we have never brought forward a claim that was not thoroughly
researched and well documented. We have never filed a false claim.
Are we crazy for hanging in there ... probably? Do we plan to continue
to hang in there? Absolutely “yes”.
Do we plan
to win this war? You can bet your life we do. We owe that to the
artists, designers, illustrators, digitizers, and cartoonists who
have lost their jobs due to piracy over the past decade and a half.
The main problem
is our industry is not organized like our copyright friends in the
music, photographic, productivity software, and movie industries.
We really have no organization helping us chase down pirates and
hold them accountable.
In September
2007, Imageline was invited to join the new Copyright Alliance (www.copyrightalliance.org)
in Washington D.C., an organization with the primary objective of
uniting various copyright industries and presenting a unified voice
to Congress and to other government agencies, as well as to the
non-copyright industries in this country and abroad.
Back to the
graphic arts. Not only is the piracy rate in our industry off the
charts, the damages are overwhelming ... far too much to even try
to quantity in this report, let alone in the courts. You see, electronic
graphic arts content is not just pirated for entertainment purposes.
It has useful applications in many markets ... and in many ways
of life. It is used to improve the appearance of web sites, and
consequently, puts more and more custom artists out of work when
stolen and displayed for free. It is used to enhance greeting cards,
newsletters, business cards, auction web pages and other online
applications, invitations, t-shirt designs, plaques, stationery,
community flyers, school reports, church bulletins, annual stockholders
meetings, PowerPoint presentations, and on ... and on … and
on. The economic impact of all these infringements around the world
is astronomical.
So what should
we do ... give up? Sorry, that’s not in our creative blood.
We are going to continue this fight for as long as we possibly can.
We are not going to let the Google’s of this world wipe out
copyright protection ... not if we can help it. My family has been
in the graphic arts business since 1918 and we have had many obstacles
to overcome along the way. We’ll figure this one out as well.
We simply need the judges to enforce our laws. And our government
officials to put some teeth in their stance against piracy worldwide
... not just lip service. That’s not too much to ask, do you
think?
Thanks for
listening, We have received some very kind words of support over
the years, It’s that kind of acknowledgment that keeps us
ticking … and working hard.
We don’t
think this should be “The Pirates’ Web 2.0”. Do
you?
George
P.S. Please
check out our new web site at www.imageline2.com if you want to
keep track of our progress. We will be listing infringing web sites
and identifying and exposing known pirates as we go. This way, if
you inadvertently downloaded a copyrighted image from one of these
sites, you can take corrective measures without increasing your
liability. We want to hold those that distribute our products illegally
accountable, not those innocent people who download the images for
their own use unknowing they are copyright protected.

George P. Riddick, III
Chairman/CEO
Imageline,
Inc.
P.O.
Box 6275
Ashland,
Virginia 23005
804-264-0731
– voice
804-264-0732
– fax
griddick@imageline2.com
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